THA 205 CBT Practice

1. Yoruba mythology, rituals, and masquerades feature prominently in the works of __________.

2. Henshaw introduced __________ drama that could be published and studied.

3. One major theme common to Clark’s plays is __________ tension.

4. Wole Soyinka blended African traditions with __________ dramatic structures.

5. African theatre gained global respect through Soyinka’s __________ recognition.

6. African proverbs and humour appear frequently in the plays of __________.

7. The god most associated with Soyinka’s works is __________.

8. “The Lion and the Jewel” satirizes blind imitation of __________ culture.

9. Early African comic and satirical theatre was strongly shaped by __________.

10. Henshaw’s plays became popular mainly in __________ institutions.

11. Henshaw proved that playwriting could coexist with a __________ career.

12. The drifting raft in “The Raft” symbolizes Nigeria’s __________ condition.

13. J. P. Clark helped establish the __________ Club in Ibadan.

14. Theatre was used by Soyinka mainly as a tool for __________ criticism.

15. Soyinka’s play written during the Nigerian Civil War is __________.

16. “Dinner for Promotion” criticizes __________ in the workplace.

17. James Ene Henshaw is regarded as one of the fathers of __________ drama.

18. “A Man of Character” emphasizes leadership based on __________.

19. “Kongi’s Harvest” is a play that attacks __________.

20. Soyinka helped professionalize theatre through groups like __________.

21. “This Is Our Chance” promotes unity and __________.

22. The concept of the “Fourth Stage” explains __________ ideas in African theatre.

23. “Ozidi” is based on an __________ epic tradition.

24. Henshaw believed theatre should primarily __________ society.

25. “The Masquerade” is a sequel to __________.

26. J. P. Clark’s drama is mainly rooted in __________ culture.

27. Wole Soyinka became the first African Nobel Prize winner in Literature in __________.

28. “Song of a Goat” explores infertility, fate, and __________.

29. Clark expanded African drama by introducing __________ settings.

30. “Medicine for Love” exposes the foolishness of relying on __________.