Take your time to read instructions before taking this test.

There are 40 questions which you are to answer in 15 minutes that gives you roughly 30 seconds per question.

If you can get at least 60%, you can be rest assured that you’ll ace LIT 106 exam

In a normal exam you will be asked between 40 – 60 questions but I only arranged 40 questions

Note

Do not be in a hurry to answer the questions
Do not waste time on a question you don’t know
Move as fast as possible and starting with questions that don’t have calculation first to save time
Always crosscheck
Don’t be in a hurry to submit, you are not in a competition
Don’t be scared. Getting an A is easy
Don’t be over confident, you can end up a D, E or F. Calm your blood, no be only you sabi book
Please do well to use our comment box incase there’s a message you want to pass to us

70 – 100 A

60 – 69 B

50 – 59 C

45 – 49 D

40 – 44 E

0 – 39 F

I wish you success

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LIT 106

1 / 40

1. The playwright’s message is delivered through

A. Narrators and historians

B. Stage directions and scenery

C. Characters and their actions

D. Backstage assistants

2 / 40

2. Dialogue in drama is used to

A. Provide translations

B. Build costumes

C. Set the tempo

D. Develop action

3 / 40

3. Modern drama sometimes integrates

A. Philosophical essays

B. Abstract mathematics

C. Epic forms and social critique

D. Pure narration

4 / 40

4. A satire highlights

A. Social vices with humor

B. Cultural dance

C. Celebration of traditions

D. Unrealistic joy

5 / 40

5. Plot structure traditionally includes

A. Introduction, dance, exit

B. Flashback, plot twist, irony

C. Climax, chorus, prophecy

D. Exposition, climax, resolution

6 / 40

6. Playwrights communicate with the audience using

A. Narration

B. Editorial notes

C. Imagery

D. Dialogue

7 / 40

7. Re-enactment involves

A. Repeating lines

B. Spontaneous improvisation

C. Singing in unison

D. Staging a past event

8 / 40

8. Drama often begins with a

A. Comic relief

B. Silent protest

C. Musical score

D. Point of attack

9 / 40

9. The audience’s emotional identification with characters is called

A. Stage fright

B. Suspension

C. Imitation

D. Empathy

10 / 40

10. Drama becomes effective when actors

A. Memorize lines only

B. Convincingly assume roles

C. Maintain monotones

D. Ignore the audience

11 / 40

11. The playwright’s message is delivered through

A. Characters and their actions

B. Narrators and historians

C. Stage directions and scenery

D. Backstage assistants

12 / 40

12. The Greek god associated with the origin of drama is

A. Dionysius

B. Zeus

C. Apollo

D. Hermes

13 / 40

13. Drama differs from prose in that it

A. Is not based on real life

B. Lacks structured content

C. real life

D. Is composed entirely of dialogue

14 / 40

14. The first actor to step out of the chorus and impersonate a god was

A. Thepsis

B. Euripides

C. Sophocles

D. Aristotle

15 / 40

15. Medieval drama was largely used to

A. Replace warfare

B. Spread gospel messages

C. Document laws

D. Entertain the elite

16 / 40

16. A dramatic plot must include

A. Random incidents

B. Irregular rhythm

C. Logical sequence of events

D. Descriptive essays

17 / 40

17. Impersonation involves

A. Directing the actors

B. Painting characters

C. Building set designs

D. Convincingly playing a different person

18 / 40

18. Bertolt Brecht viewed drama as

A. A form of poetry

B. A source of humor

C. A reflection of dreams

D. A tool for social change

19 / 40

19. A unified plot helps in

A. A unified plot helps in

B. Enhancing coherence

C. Removing conflict

D. Creating confusion

20 / 40

20. Suspense in drama keeps the audience

A. Entertained through noise

B. Confused

C. Engaged and curious

D. Focused on setting

21 / 40

21. Realism in acting demands

A. Monotone delivery

B. Minimal character movement

C. Over-dramatization

D. Accurate portrayal of life

22 / 40

22. Aeschylus contributed to drama by

A. Writing only comedies

B. Introducing the second actor

C. Banning tragedy

D. Inventing dramatic irony

23 / 40

23. Drama primarily relies on

A. Description

B. Footnotes

C. Illustration

D. Dialogue

24 / 40

24. A character who reflects the playwright’s opinion without being involved in the action functions as

A. Hero

B. Villain

C. Chorus

D. Antagonist

25 / 40

25. Theatrical performance requires the presence of

A. Actors, space, and audience

B. Painters and editors

C. Cameras and poets

D. Bookmarks and stage managers

26 / 40

26. Willing suspension of disbelief allows the audience to

A. Critique technical details

B. Accept the story as real

C. Reject stage actions

D. Stop paying attention

27 / 40

27. The term "mimesis" refers to

A. Imitation of life

B. Use of rhyme

C. Character exaggeration

D. Stage direction

28 / 40

28. Realism in acting demands

A. Monotone delivery

B. Over-dramatization

C. Accurate portrayal of life

D. Minimal character movement

29 / 40

29. Dialogue in drama is used to

A. Provide translations

B. Build costumes

C. Set the tempo

D. Develop action

30 / 40

30. Reported action in a play is

A. Expressed through songs

B. Ignored on stage

C. Shown directly

D. Narrated by characters

31 / 40

31. Dramatic irony occurs when

A. The setting is repeated

B. All actors forget lines

C. The audience knows more than the characters

D. Props malfunction

32 / 40

32. The function of the chorus in Greek drama includes

A. Offering commentary

B. Costuming

C. Delivering monologues

D. Writing the script

33 / 40

33. Historical plays are mostly

A. Re-enactments of past events

B. Fictional exaggerations

C. Original fantasies

D. Non-verbal performances

34 / 40

34. Romantic drama often presents

A. Harsh realities

B. Debased societies

C. Tragic endings

D. Harmonious and ideal worlds

35 / 40

35. Drama as a literary genre is primarily realized through

A. Performance on stage

B. Listening to poetry

C. Reading silently

D. Writing in prose

36 / 40

36. A story becomes drama when it includes

A. Background music

B. Impersonation and performance

C. Repetition

D. Realistic characters

37 / 40

37. The main element of drama according to Aristotle is

A. Music

B. Setting

C. Costume

D. Action

38 / 40

38. Theatrical realism aims to

A. Entertain through music

B. Exaggerate all roles

C. Represent life accurately

D. Create abstract scenarios

39 / 40

39. A tragedy typically ends in

A. Open celebration

B. Musical closure

C. Harmony and marriage

D. Disaster and loss

40 / 40

40. Greek drama initially consisted of

A. Martial arts routines

B. Interactive comedy

C. Solitary performances

D. Choral songs and dances

Your score is

The average score is 67%

FUOYE LIT 106 CBT Practice

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