THA 205 CBT Practice

1. The concept of the “Fourth Stage” explains __________ ideas in African theatre.

2. “Ozidi” is based on an __________ epic tradition.

3. Henshaw proved that playwriting could coexist with a __________ career.

4. J. P. Clark’s drama is mainly rooted in __________ culture.

5. J. P. Clark helped establish the __________ Club in Ibadan.

6. One major theme common to Clark’s plays is __________ tension.

7. Henshaw introduced __________ drama that could be published and studied.

8. African proverbs and humour appear frequently in the plays of __________.

9. “Song of a Goat” explores infertility, fate, and __________.

10. “A Man of Character” emphasizes leadership based on __________.

11. Soyinka’s play written during the Nigerian Civil War is __________.

12. Henshaw’s plays became popular mainly in __________ institutions.

13. “Dinner for Promotion” criticizes __________ in the workplace.

14. “This Is Our Chance” promotes unity and __________.

15. Soyinka helped professionalize theatre through groups like __________.

16. “Kongi’s Harvest” is a play that attacks __________.

17. Wole Soyinka blended African traditions with __________ dramatic structures.

18. “The Masquerade” is a sequel to __________.

19. Clark expanded African drama by introducing __________ settings.

20. African theatre gained global respect through Soyinka’s __________ recognition.

21. The god most associated with Soyinka’s works is __________.

22. “Medicine for Love” exposes the foolishness of relying on __________.

23. Wole Soyinka became the first African Nobel Prize winner in Literature in __________.

24. The drifting raft in “The Raft” symbolizes Nigeria’s __________ condition.

25. Early African comic and satirical theatre was strongly shaped by __________.

26. Theatre was used by Soyinka mainly as a tool for __________ criticism.

27. “The Lion and the Jewel” satirizes blind imitation of __________ culture.

28. James Ene Henshaw is regarded as one of the fathers of __________ drama.

29. Yoruba mythology, rituals, and masquerades feature prominently in the works of __________.

30. Henshaw believed theatre should primarily __________ society.