Take your time to read instructions before taking this test.

There are 40 questions which you are to answer in 15 minutes that gives you roughly 30 seconds per question.

If you can get at least 60%, you can be rest assured that you’ll ace LIT 106 exam

In a normal exam you will be asked between 40 – 60 questions but I only arranged 40 questions

Note

Do not be in a hurry to answer the questions
Do not waste time on a question you don’t know
Move as fast as possible and starting with questions that don’t have calculation first to save time
Always crosscheck
Don’t be in a hurry to submit, you are not in a competition
Don’t be scared. Getting an A is easy
Don’t be over confident, you can end up a D, E or F. Calm your blood, no be only you sabi book
Please do well to use our comment box incase there’s a message you want to pass to us

70 – 100 A

60 – 69 B

50 – 59 C

45 – 49 D

40 – 44 E

0 – 39 F

I wish you success

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LIT 106

1 / 40

1. Re-enactment involves

A. Spontaneous improvisation

B. Repeating lines

C. Singing in unison

D. Staging a past event

2 / 40

2. A satire highlights

A. Cultural dance

B. Unrealistic joy

C. Social vices with humor

D. Celebration of traditions

3 / 40

3. Romantic drama often presents

A. Debased societies

B. Tragic endings

C. Harmonious and ideal worlds

D. Harsh realities

4 / 40

4. A unified plot helps in

A. A unified plot helps in

B. Enhancing coherence

C. Removing conflict

D. Creating confusion

5 / 40

5. Drama differs from prose in that it

A. real life

B. Is composed entirely of dialogue

C. Lacks structured content

D. Is not based on real life

6 / 40

6. Realism in acting demands

A. Monotone delivery

B. Minimal character movement

C. Accurate portrayal of life

D. Over-dramatization

7 / 40

7. Impersonation involves

A. Building set designs

B. Painting characters

C. Convincingly playing a different person

D. Directing the actors

8 / 40

8. Drama as a literary genre is primarily realized through

A. Listening to poetry

B. Reading silently

C. Writing in prose

D. Performance on stage

9 / 40

9. Dialogue in drama is used to

A. Build costumes

B. Set the tempo

C. Develop action

D. Provide translations

10 / 40

10. Drama often begins with a

A. Comic relief

B. Point of attack

C. Silent protest

D. Musical score

11 / 40

11. Modern drama sometimes integrates

A. Pure narration

B. Epic forms and social critique

C. Abstract mathematics

D. Philosophical essays

12 / 40

12. Plot structure traditionally includes

A. Exposition, climax, resolution

B. Introduction, dance, exit

C. Flashback, plot twist, irony

D. Climax, chorus, prophecy

13 / 40

13. Drama becomes effective when actors

A. Ignore the audience

B. Memorize lines only

C. Convincingly assume roles

D. Maintain monotones

14 / 40

14. The playwright’s message is delivered through

A. Backstage assistants

B. Stage directions and scenery

C. Characters and their actions

D. Narrators and historians

15 / 40

15. The Greek god associated with the origin of drama is

A. Apollo

B. Dionysius

C. Hermes

D. Zeus

16 / 40

16. Dialogue in drama is used to

A. Develop action

B. Build costumes

C. Set the tempo

D. Provide translations

17 / 40

17. Willing suspension of disbelief allows the audience to

A. Accept the story as real

B. Reject stage actions

C. Stop paying attention

D. Critique technical details

18 / 40

18. Theatrical realism aims to

A. Entertain through music

B. Create abstract scenarios

C. Represent life accurately

D. Exaggerate all roles

19 / 40

19. The term "mimesis" refers to

A. Use of rhyme

B. Character exaggeration

C. Stage direction

D. Imitation of life

20 / 40

20. Aeschylus contributed to drama by

A. Introducing the second actor

B. Inventing dramatic irony

C. Banning tragedy

D. Writing only comedies

21 / 40

21. The audience’s emotional identification with characters is called

A. Stage fright

B. Suspension

C. Imitation

D. Empathy

22 / 40

22. Unlike prose, drama lacks

A. A linear plot

B. Human characters

C. Direct narration

D. Thematic concerns

23 / 40

23. The main element of drama according to Aristotle is

A. Music

B. Costume

C. Action

D. Setting

24 / 40

24. One of the core functions of drama is

A. Space exploration

B. Data recording

C. Financial auditing

D. Social mobilization

25 / 40

25. Playwrights communicate with the audience using

A. Editorial notes

B. Dialogue

C. Imagery

D. Narration

26 / 40

26. A dramatic plot must include

A. Descriptive essays

B. Logical sequence of events

C. Random incidents

D. Irregular rhythm

27 / 40

27. Suspense in drama keeps the audience

A. Engaged and curious

B. Confused

C. Focused on setting

D. Entertained through noise

28 / 40

28. Theatrical performance requires the presence of

A. Painters and editors

B. Cameras and poets

C. Actors, space, and audience

D. Bookmarks and stage managers

29 / 40

29. The playwright’s message is delivered through

A. Characters and their actions

B. Backstage assistants

C. Stage directions and scenery

D. Narrators and historians

30 / 40

30. Greek drama initially consisted of

A. Choral songs and dances

B. Solitary performances

C. Martial arts routines

D. Interactive comedy

31 / 40

31. A character who reflects the playwright’s opinion without being involved in the action functions as

A. Chorus

B. Antagonist

C. Hero

D. Villain

32 / 40

32. Historical plays are mostly

A. Fictional exaggerations

B. Non-verbal performances

C. Re-enactments of past events

D. Original fantasies

33 / 40

33. Reported action in a play is

A. Shown directly

B. Expressed through songs

C. Ignored on stage

D. Narrated by characters

34 / 40

34. A tragedy typically ends in

A. Disaster and loss

B. Harmony and marriage

C. Musical closure

D. Open celebration

35 / 40

35. The first actor to step out of the chorus and impersonate a god was

A. Thepsis

B. Sophocles

C. Euripides

D. Aristotle

36 / 40

36. Bertolt Brecht viewed drama as

A. A source of humor

B. A form of poetry

C. A reflection of dreams

D. A tool for social change

37 / 40

37. Realism in acting demands

A. Over-dramatization

B. Minimal character movement

C. Accurate portrayal of life

D. Monotone delivery

38 / 40

38. Medieval drama was largely used to

A. Entertain the elite

B. Document laws

C. Spread gospel messages

D. Replace warfare

39 / 40

39. Drama primarily relies on

A. Illustration

B. Footnotes

C. Dialogue

D. Description

40 / 40

40. Characters in drama are developed through

A. Technical notes

B. Narration by the author

C. Direct action and speech

D. External commentary

Your score is

The average score is 67%

FUOYE LIT 106 CBT Practice

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