Take your time to read instructions before taking this test.

There are 40 questions which you are to answer in 15 minutes that gives you roughly 30 seconds per question.

If you can get at least 60%, you can be rest assured that you’ll ace LIT 106 exam

In a normal exam you will be asked between 40 – 60 questions but I only arranged 40 questions

Note

Do not be in a hurry to answer the questions
Do not waste time on a question you don’t know
Move as fast as possible and starting with questions that don’t have calculation first to save time
Always crosscheck
Don’t be in a hurry to submit, you are not in a competition
Don’t be scared. Getting an A is easy
Don’t be over confident, you can end up a D, E or F. Calm your blood, no be only you sabi book
Please do well to use our comment box incase there’s a message you want to pass to us

70 – 100 A

60 – 69 B

50 – 59 C

45 – 49 D

40 – 44 E

0 – 39 F

I wish you success

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LIT 106

1 / 40

1. Playwrights communicate with the audience using

A. Imagery

B. Dialogue

C. Editorial notes

D. Narration

2 / 40

2. The Greek god associated with the origin of drama is

A. Apollo

B. Zeus

C. Dionysius

D. Hermes

3 / 40

3. A unified plot helps in

A. A unified plot helps in

B. Removing conflict

C. Creating confusion

D. Enhancing coherence

4 / 40

4. Greek drama initially consisted of

A. Martial arts routines

B. Choral songs and dances

C. Interactive comedy

D. Solitary performances

5 / 40

5. Theatrical performance requires the presence of

A. Actors, space, and audience

B. Cameras and poets

C. Painters and editors

D. Bookmarks and stage managers

6 / 40

6. Realism in acting demands

A. Minimal character movement

B. Over-dramatization

C. Monotone delivery

D. Accurate portrayal of life

7 / 40

7. The playwright’s message is delivered through

A. Narrators and historians

B. Stage directions and scenery

C. Backstage assistants

D. Characters and their actions

8 / 40

8. Theatrical realism aims to

A. Represent life accurately

B. Entertain through music

C. Create abstract scenarios

D. Exaggerate all roles

9 / 40

9. Dialogue in drama is used to

A. Develop action

B. Set the tempo

C. Provide translations

D. Build costumes

10 / 40

10. Re-enactment involves

A. Spontaneous improvisation

B. Staging a past event

C. Singing in unison

D. Repeating lines

11 / 40

11. One of the core functions of drama is

A. Space exploration

B. Data recording

C. Financial auditing

D. Social mobilization

12 / 40

12. Romantic drama often presents

A. Harmonious and ideal worlds

B. Debased societies

C. Tragic endings

D. Harsh realities

13 / 40

13. A character who reflects the playwright’s opinion without being involved in the action functions as

A. Chorus

B. Hero

C. Antagonist

D. Villain

14 / 40

14. Drama primarily relies on

A. Dialogue

B. Footnotes

C. Description

D. Illustration

15 / 40

15. Bertolt Brecht viewed drama as

A. A source of humor

B. A reflection of dreams

C. A form of poetry

D. A tool for social change

16 / 40

16. The playwright’s message is delivered through

A. Narrators and historians

B. Characters and their actions

C. Stage directions and scenery

D. Backstage assistants

17 / 40

17. Realism in acting demands

A. Minimal character movement

B. Accurate portrayal of life

C. Over-dramatization

D. Monotone delivery

18 / 40

18. Historical plays are mostly

A. Original fantasies

B. Fictional exaggerations

C. Non-verbal performances

D. Re-enactments of past events

19 / 40

19. A satire highlights

A. Celebration of traditions

B. Cultural dance

C. Social vices with humor

D. Unrealistic joy

20 / 40

20. The term "mimesis" refers to

A. Stage direction

B. Character exaggeration

C. Use of rhyme

D. Imitation of life

21 / 40

21. The audience’s emotional identification with characters is called

A. Empathy

B. Imitation

C. Stage fright

D. Suspension

22 / 40

22. Plot structure traditionally includes

A. Flashback, plot twist, irony

B. Exposition, climax, resolution

C. Climax, chorus, prophecy

D. Introduction, dance, exit

23 / 40

23. Willing suspension of disbelief allows the audience to

A. Critique technical details

B. Accept the story as real

C. Reject stage actions

D. Stop paying attention

24 / 40

24. A story becomes drama when it includes

A. Impersonation and performance

B. Realistic characters

C. Background music

D. Repetition

25 / 40

25. Characters in drama are developed through

A. Technical notes

B. Direct action and speech

C. External commentary

D. Narration by the author

26 / 40

26. Drama becomes effective when actors

A. Maintain monotones

B. Memorize lines only

C. Convincingly assume roles

D. Ignore the audience

27 / 40

27. Medieval drama was largely used to

A. Spread gospel messages

B. Document laws

C. Replace warfare

D. Entertain the elite

28 / 40

28. Drama as a literary genre is primarily realized through

A. Writing in prose

B. Listening to poetry

C. Performance on stage

D. Reading silently

29 / 40

29. Drama differs from prose in that it

A. Lacks structured content

B. real life

C. Is composed entirely of dialogue

D. Is not based on real life

30 / 40

30. Modern drama sometimes integrates

A. Philosophical essays

B. Pure narration

C. Abstract mathematics

D. Epic forms and social critique

31 / 40

31. Aeschylus contributed to drama by

A. Writing only comedies

B. Introducing the second actor

C. Banning tragedy

D. Inventing dramatic irony

32 / 40

32. A tragedy typically ends in

A. Harmony and marriage

B. Disaster and loss

C. Open celebration

D. Musical closure

33 / 40

33. The main element of drama according to Aristotle is

A. Action

B. Costume

C. Music

D. Setting

34 / 40

34. Drama often begins with a

A. Musical score

B. Comic relief

C. Silent protest

D. Point of attack

35 / 40

35. Unlike prose, drama lacks

A. A linear plot

B. Direct narration

C. Human characters

D. Thematic concerns

36 / 40

36. The function of the chorus in Greek drama includes

A. Delivering monologues

B. Costuming

C. Offering commentary

D. Writing the script

37 / 40

37. Reported action in a play is

A. Narrated by characters

B. Shown directly

C. Expressed through songs

D. Ignored on stage

38 / 40

38. The first actor to step out of the chorus and impersonate a god was

A. Thepsis

B. Aristotle

C. Sophocles

D. Euripides

39 / 40

39. Dramatic irony occurs when

A. The setting is repeated

B. All actors forget lines

C. Props malfunction

D. The audience knows more than the characters

40 / 40

40. Suspense in drama keeps the audience

A. Confused

B. Engaged and curious

C. Entertained through noise

D. Focused on setting

Your score is

The average score is 67%

FUOYE LIT 106 CBT Practice

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