Take your time to read instructions before taking this test.

There are 40 questions which you are to answer in 15 minutes that gives you roughly 30 seconds per question.

If you can get at least 60%, you can be rest assured that you’ll ace THA 110 exam

In a normal exam you will be asked between 40 – 60 questions but I only arranged 40 questions

Note

Do not be in a hurry to answer the questions
Do not waste time on a question you don’t know
Move as fast as possible and starting with questions that don’t have calculation first to save time
Always crosscheck
Don’t be in a hurry to submit, you are not in a competition
Don’t be scared. Getting an A is easy
Don’t be over confident, you can end up a D, E or F. Calm your blood, no be only you sabi book
Please do well to use our comment box incase there’s a message you want to pass to us

70 – 100 A

60 – 69 B

50 – 59 C

45 – 49 D

40 – 44 E

0 – 39 F

I wish you success

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THA 110

1 / 40

1. Line in dance body movement represents

A. Movement progression

B. Emotional expression

C. Transition between movements

D. Step imitation

2 / 40

2. Pure dance focuses mainly on:

A. Message delivery

B. Displaying movement skill

C. Facial expression

D. Costume symbolism

3 / 40

3. The solar plexus is referred to as the:

A. Dancer’s breathing zone

B. Emotional core

C. Origin point for movement

D. Center of the stage

4 / 40

4. Abstract dance is used to communicate:

A. Cultural values

B. Natural phenomena

C. Weather changes

D. Royal traditions

5 / 40

5. Study dance typically focuses movement on:

A. Entire body motion

B. A specific body part

C. Repetitive gestures

D. Feet and ankles

6 / 40

6. Dance drama emphasizes:

A. Mood swings

B. Improvised gestures

C. Physical testing

D. Storytelling through action

7 / 40

7. Therapeutic dance benefits include:

A. Emotional release

B. Sleep disruption

C. Verbal fluency

D. Self-criticism

8 / 40

8. Cognitive benefits from dance include enhanced:

A. Posture and volume

B. Flexibility and obedience

C. Discipline and finance

D. Memory and spatial awareness

9 / 40

9. Lyrical dance often interprets:

A. Physical endurance

B. Poetry only

C. Cultural policies

D. Song lyrics

10 / 40

10. Rhythm in dance is associated with:

A. Beat and time

B. Style and costume

C. Line and color

D. Space and gesture

11 / 40

11. Comic dance is designed to produce:

A. Laughter

B. Focus

C. Anger

D. Silence

12 / 40

12. Angled formations on stage are intended to:

A. Show flexibility

B. Create illusions and suggest security

C. Highlight props

D. Distract the audience

13 / 40

13. The message or meaning behind dance is called:

A. Symbolism

B. Theme

C. Expression

D. Statement

14 / 40

14. The ritualistic theory emphasizes dance as a response to:

A. Bodily strength

B. Animal instincts

C. Nature’s wonders

D. Political power

15 / 40

15. Dance is used across cultures to:

A. Foster social bonds

B. End conflict

C. Challenge traditions

D. Enforce laws

16 / 40

16. Human behavioral theory argues that dance emerged from:

A. Natural human behavior

B. Divine intervention

C. Environmental necessity

D. Genetic experimentation

17 / 40

17. Movement in space creates:

A. Environmental pollution

B. Religious confusion

C. Mental focus

D. Patterns and shapes

18 / 40

18. Abstract dance relies heavily on:

A. Athletic performance

B. Religious rituals

C. Symbolic themes or phenomena

D. Imitating other dancers

19 / 40

19. Dramatic dance is centered on:

A. Interacting with the audience

B. Creating loud rhythms

C. Communicating sacred rituals

D. Evoking specific moods

20 / 40

20. Timbre in music refers to:

A. Sound quality or tone

B. Musical texture

C. Loudness and softness

D. Sound duration

21 / 40

21. Dramatic dance is centered on:

A. Communicating sacred rituals

B. Interacting with the audience

C. Evoking specific moods

D. Creating loud rhythms

22 / 40

22. Curved shapes in dance are used to express:

A. Emotional feelings

B. Boldness

C. Unity

D. Uncertainty

23 / 40

23. Facial expressions in dance reveal:

A. Hidden themes

B. Inner emotions

C. Lighting cues

D. Stage direction

24 / 40

24. Study dance emphasizes:

A. Abstract choreography

B. Environmental themes

C. Body-part-focused movement

D. Full-body mime

25 / 40

25. Movement-based communication without spoken words is described by Ugolo as:

A. Verbal storytelling

B. Precision language

C. Non-verbal medium

D. Dramatic expression

26 / 40

26. A symmetrical body posture in dance suggests:

A. Equal parts of the body

B. Emotional balance

C. Extreme flexibility

D. Uneven weight

27 / 40

27. Timing in dance performance helps with

A. Lighting placement

B. Footwear selection

C. Rhythm and tempo control

D. Emotional detachment

28 / 40

28. A dancer’s most basic expressive tool is the:

A. Facial expression

B. Body

C. Music

D. Costume

29 / 40

29. Dance, as defined by Ojo Bakare, involves rhythmic movement of the body in time and space to:

A. Create harmony

B. Entertain an audience

C. Worship deities

D. Make statements

30 / 40

30. Cultural preservation through dance helps maintain:

A. Political systems

B. Heritage and identity

C. Language grammar

D. Clothing standards

31 / 40

31. Rhythm in music helps structure:

A. Voice tone

B. Lighting speed

C. Audience mood

D. Dance movement

32 / 40

32. Choreography involves creating and structuring movement in place and time to:

A. Entertain guests

B. Communicate ideas

C. Impress the audience

D. Form shapes on stage

33 / 40

33. Dance, as seen by Bakare, involves rhythmic body movement in time and space to:

A. Express religion

B. Mimic nature

C. Decorate a performance

D. Make a statement

34 / 40

34. Stimuli serves as the:

A. Final part of a performance

B. Reason behind every dance movement

C. Outcome of choreography

D. Emotional reaction to dance

35 / 40

35. Comic dance is designed to:

A. Evoke laughter

B. Show body control

C. Represent spiritual ideas

D. Teach lessons

36 / 40

36. Dynamic in dance refers to:

A. Type of music used

B. Kind of costume worn

C. Stage direction system

D. Energy required for movement

37 / 40

37. Space in dance refers to the:

A. Costume design

B. Emotional intent

C. Physical performance area

D. Musical beat

38 / 40

38. Connection between dancers on stage is described as:

A. Audience control

B. Physical formation

C. Shape theory

D. Relationship

39 / 40

39. Choreographers design movement, while the execution is carried out by:

A. Dancers

B. Directors

C. Drummers

D. Stage crew

40 / 40

40. Dance in African worldview is seen as:

A. A sacred and secular ritual

B. A personal activity

C. A method of punishment

D. A military exercise

Your score is

The average score is 73%

FUOYE THA 110 CBT Practice

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