Home CBT TEST FUOYE THA 110 CBT Practice

FUOYE THA 110 CBT Practice

Aruwaji Philip

May 21, 2025

Take your time to read instructions before taking this test.

There are 40 questions which you are to answer in 15 minutes that gives you roughly 30 seconds per question.

If you can get at least 60%, you can be rest assured that you’ll ace THA 110 exam

In a normal exam you will be asked between 40 – 60 questions but I only arranged 40 questions

Note

Do not be in a hurry to answer the questions
Do not waste time on a question you don’t know
Move as fast as possible and starting with questions that don’t have calculation first to save time
Always crosscheck
Don’t be in a hurry to submit, you are not in a competition
Don’t be scared. Getting an A is easy
Don’t be over confident, you can end up a D, E or F. Calm your blood, no be only you sabi book
Please do well to use our comment box incase there’s a message you want to pass to us

70 – 100 A

60 – 69 B

50 – 59 C

45 – 49 D

40 – 44 E

0 – 39 F

I wish you success

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THA 110

1 / 40

1. A dancer’s most basic expressive tool is the:

A. Facial expression

B. Music

C. Costume

D. Body

2 / 40

2. Study dance typically focuses movement on:

A. A specific body part

B. Feet and ankles

C. Repetitive gestures

D. Entire body motion

3 / 40

3. Choreographers design movement, while the execution is carried out by:

A. Stage crew

B. Directors

C. Drummers

D. Dancers

4 / 40

4. Timing in dance performance helps with

A. Lighting placement

B. Footwear selection

C. Rhythm and tempo control

D. Emotional detachment

5 / 40

5. Rhythm in dance is associated with:

A. Style and costume

B. Beat and time

C. Line and color

D. Space and gesture

6 / 40

6. Cultural preservation through dance helps maintain:

A. Political systems

B. Language grammar

C. Clothing standards

D. Heritage and identity

7 / 40

7. Dance, as seen by Bakare, involves rhythmic body movement in time and space to:

A. Express religion

B. Decorate a performance

C. Mimic nature

D. Make a statement

8 / 40

8. Abstract dance relies heavily on:

A. Imitating other dancers

B. Symbolic themes or phenomena

C. Athletic performance

D. Religious rituals

9 / 40

9. Lyrical dance often interprets:

A. Song lyrics

B. Physical endurance

C. Poetry only

D. Cultural policies

10 / 40

10. Dance is used across cultures to:

A. Enforce laws

B. End conflict

C. Challenge traditions

D. Foster social bonds

11 / 40

11. Line in dance body movement represents

A. Movement progression

B. Emotional expression

C. Step imitation

D. Transition between movements

12 / 40

12. Dance drama emphasizes:

A. Improvised gestures

B. Mood swings

C. Storytelling through action

D. Physical testing

13 / 40

13. Dance in African worldview is seen as:

A. A sacred and secular ritual

B. A military exercise

C. A method of punishment

D. A personal activity

14 / 40

14. Dance, as defined by Ojo Bakare, involves rhythmic movement of the body in time and space to:

A. Make statements

B. Entertain an audience

C. Create harmony

D. Worship deities

15 / 40

15. Dynamic in dance refers to:

A. Kind of costume worn

B. Stage direction system

C. Energy required for movement

D. Type of music used

16 / 40

16. Facial expressions in dance reveal:

A. Hidden themes

B. Inner emotions

C. Lighting cues

D. Stage direction

17 / 40

17. Rhythm in music helps structure:

A. Dance movement

B. Voice tone

C. Lighting speed

D. Audience mood

18 / 40

18. Abstract dance is used to communicate:

A. Royal traditions

B. Natural phenomena

C. Weather changes

D. Cultural values

19 / 40

19. Study dance emphasizes:

A. Body-part-focused movement

B. Abstract choreography

C. Full-body mime

D. Environmental themes

20 / 40

20. Stimuli serves as the:

A. Reason behind every dance movement

B. Emotional reaction to dance

C. Outcome of choreography

D. Final part of a performance

21 / 40

21. A symmetrical body posture in dance suggests:

A. Emotional balance

B. Uneven weight

C. Extreme flexibility

D. Equal parts of the body

22 / 40

22. Comic dance is designed to:

A. Show body control

B. Evoke laughter

C. Represent spiritual ideas

D. Teach lessons

23 / 40

23. The ritualistic theory emphasizes dance as a response to:

A. Animal instincts

B. Political power

C. Nature’s wonders

D. Bodily strength

24 / 40

24. Connection between dancers on stage is described as:

A. Relationship

B. Audience control

C. Physical formation

D. Shape theory

25 / 40

25. The solar plexus is referred to as the:

A. Dancer’s breathing zone

B. Origin point for movement

C. Center of the stage

D. Emotional core

26 / 40

26. Timbre in music refers to:

A. Loudness and softness

B. Sound quality or tone

C. Musical texture

D. Sound duration

27 / 40

27. Choreography involves creating and structuring movement in place and time to:

A. Communicate ideas

B. Entertain guests

C. Form shapes on stage

D. Impress the audience

28 / 40

28. Human behavioral theory argues that dance emerged from:

A. Environmental necessity

B. Genetic experimentation

C. Natural human behavior

D. Divine intervention

29 / 40

29. Movement in space creates:

A. Environmental pollution

B. Religious confusion

C. Patterns and shapes

D. Mental focus

30 / 40

30. Angled formations on stage are intended to:

A. Show flexibility

B. Create illusions and suggest security

C. Distract the audience

D. Highlight props

31 / 40

31. The message or meaning behind dance is called:

A. Symbolism

B. Statement

C. Expression

D. Theme

32 / 40

32. Dramatic dance is centered on:

A. Evoking specific moods

B. Communicating sacred rituals

C. Interacting with the audience

D. Creating loud rhythms

33 / 40

33. Cognitive benefits from dance include enhanced:

A. Memory and spatial awareness

B. Discipline and finance

C. Posture and volume

D. Flexibility and obedience

34 / 40

34. Space in dance refers to the:

A. Emotional intent

B. Musical beat

C. Costume design

D. Physical performance area

35 / 40

35. Comic dance is designed to produce:

A. Silence

B. Laughter

C. Focus

D. Anger

36 / 40

36. Curved shapes in dance are used to express:

A. Boldness

B. Emotional feelings

C. Unity

D. Uncertainty

37 / 40

37. Movement-based communication without spoken words is described by Ugolo as:

A. Non-verbal medium

B. Dramatic expression

C. Verbal storytelling

D. Precision language

38 / 40

38. Pure dance focuses mainly on:

A. Facial expression

B. Displaying movement skill

C. Message delivery

D. Costume symbolism

39 / 40

39. Dramatic dance is centered on:

A. Creating loud rhythms

B. Interacting with the audience

C. Communicating sacred rituals

D. Evoking specific moods

40 / 40

40. Therapeutic dance benefits include:

A. Sleep disruption

B. Verbal fluency

C. Self-criticism

D. Emotional release

Your score is

The average score is 0%

FUOYE THA 110 CBT Practice

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