THA 213 CBT Practice

1. Kataribe refers to professional _____ in Japanese oral tradition.

2. Oriental theatre focuses mainly on the traditional and contemporary theatre practices of _____.

3. Kan’ami Kiyotsugu is known for innovation in _____ theatre.

4. The dramatic structure of Noh plays follows the principle of _____.

5. Japanese acting traditions often stress the importance of physical movement and _____.

6. Noh theatre appeals mainly to a _____ audience.

7. The slow, graceful movement style in Noh theatre is designed to create a sense of _____ on stage.

8. Rakugo is a form of _____ storytelling.

9. Joruri performances are usually accompanied by the _____.

10. Chanting and singing are important elements of Japanese _____ technique.

11. Masked performances are a major feature of _____ theatre.

12. Mie in Kabuki theatre refers to _____

13. Contemporary Japanese theatre often blends traditional forms with _____ elements.

14. Japanese Noh theatre was founded in the _____ century.

15. Shingeki acting style emphasizes realism and _____.

16. The use of symbolism and metaphor is a key feature of Japanese _____ tradition.

17. Bunraku theatre uses puppets with strong emphasis on _____ expression.

18. Shintoism influenced early Japanese performances by emphasizing nature worship and _____ reverence.

19. Kabuki acting style is known for _____ movements.

20. Kagura and Azuma-asobi are examples of traditional Japanese _____ dances.

21. The Edo period is associated with the _____ age of Kabuki.

22. Kabuki theatre originated in the _____ period.

23. Elaborate costumes and makeup are major characteristics of _____ theatre.

24. Manzai performances are commonly associated with _____ celebrations.

25. Jidai-mono in Kabuki refers to _____ plays.

26. Shingeki emerged as a result of _____ influence on Japanese theatre.

27. Mori Ogai’s plays focused on themes of identity and social _____.

28. Yugen in Noh theatre refers to a sense of _____ beauty.

29. Chikamatsu Monzaemon is famous for writing _____ plays.

30. Kabuki theatre attracts a more _____ audience.

31. Tadashi Suzuki is noted for blending traditional theatre with _____ techniques.

32. Oriza Hirata’s plays often explore themes of identity and _____.

33. The particular segment of this course concentrates on _____ theatre.

34. Yukio Mishima became famous for his _____ style of drama.

35. Buddhism entered Japan during the _____ period.

36. The founder of Kabuki theatre was _____.

37. Zeami Motokiyo is regarded as the founder of _____ theatre.

38. The founder of Noh theatre was _____.

39. The raised walkway used in Kabuki is known as the _____.

40. Preservation efforts ensured the survival of traditional forms like Noh, Kabuki, and _____.