THA 213 CBT Practice

📘 THA 213 PRACTICE TEST – IMPORTANT INSTRUCTIONS

Take your time to read the instructions carefully before starting this test.

📝 Test Details

Total Questions: 40 questions

Time Allowed: 15 – 20 minutes

This gives you very few seconds per question, so manage your time wisely.

✅ If you can score at least 60%, you can be rest assured that you’ll ace THA 213 in the real exam.

PS:

In the actual GST exam, you’ll likely be asked between 40 – 60 questions.

⚠️ EXAM STRATEGY & TIPS

  • Do not rush into answering questions.
  • Don’t waste too much time on questions you don’t know — skip and move on.
  • Start with questions that don’t involve calculations to save time.
  • Always crosscheck your answers.
  • Don’t be in a hurry to submit — you’re not in a competition.
  • Don’t be scared — getting an A is very achievable.
  • Don’t be overconfident either — calm your blood, no be only you sabi book 😌.
  • If you have any complaints, corrections, or feedback, please use the comment box.

📊 GRADING SCALE

70 – 100 → A

60 – 69 → B

50 – 59 → C

45 – 49 → D

40 – 44 → E

0 – 39 → F

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14


THA 213

1 / 40

1. Noh theatre appeals mainly to a _____ audience.

2 / 40

2. Kabuki acting style is known for _____ movements.

3 / 40

3. Japanese Noh theatre was founded in the _____ century.

4 / 40

4. Joruri performances are usually accompanied by the _____.

5 / 40

5. Japanese acting traditions often stress the importance of physical movement and _____.

6 / 40

6. Elaborate costumes and makeup are major characteristics of _____ theatre.

7 / 40

7. Mie in Kabuki theatre refers to _____

8 / 40

8. Masked performances are a major feature of _____ theatre.

9 / 40

9. The founder of Noh theatre was _____.

10 / 40

10. Kan’ami Kiyotsugu is known for innovation in _____ theatre.

11 / 40

11. Oriza Hirata’s plays often explore themes of identity and _____.

12 / 40

12. Kabuki theatre attracts a more _____ audience.

13 / 40

13. Chanting and singing are important elements of Japanese _____ technique.

14 / 40

14. Preservation efforts ensured the survival of traditional forms like Noh, Kabuki, and _____.

15 / 40

15. Mori Ogai’s plays focused on themes of identity and social _____.

16 / 40

16. The dramatic structure of Noh plays follows the principle of _____.

17 / 40

17. Yugen in Noh theatre refers to a sense of _____ beauty.

18 / 40

18. The particular segment of this course concentrates on _____ theatre.

19 / 40

19. The Edo period is associated with the _____ age of Kabuki.

20 / 40

20. Kataribe refers to professional _____ in Japanese oral tradition.

21 / 40

21. Jidai-mono in Kabuki refers to _____ plays.

22 / 40

22. The use of symbolism and metaphor is a key feature of Japanese _____ tradition.

23 / 40

23. Rakugo is a form of _____ storytelling.

24 / 40

24. Chikamatsu Monzaemon is famous for writing _____ plays.

25 / 40

25. The raised walkway used in Kabuki is known as the _____.

26 / 40

26. The founder of Kabuki theatre was _____.

27 / 40

27. Kagura and Azuma-asobi are examples of traditional Japanese _____ dances.

28 / 40

28. Buddhism entered Japan during the _____ period.

29 / 40

29. Shintoism influenced early Japanese performances by emphasizing nature worship and _____ reverence.

30 / 40

30. Shingeki emerged as a result of _____ influence on Japanese theatre.

31 / 40

31. Zeami Motokiyo is regarded as the founder of _____ theatre.

32 / 40

32. Manzai performances are commonly associated with _____ celebrations.

33 / 40

33. Yukio Mishima became famous for his _____ style of drama.

34 / 40

34. Kabuki theatre originated in the _____ period.

35 / 40

35. Oriental theatre focuses mainly on the traditional and contemporary theatre practices of _____.

36 / 40

36. Tadashi Suzuki is noted for blending traditional theatre with _____ techniques.

37 / 40

37. Shingeki acting style emphasizes realism and _____.

38 / 40

38. The slow, graceful movement style in Noh theatre is designed to create a sense of _____ on stage.

39 / 40

39. Bunraku theatre uses puppets with strong emphasis on _____ expression.

40 / 40

40. Contemporary Japanese theatre often blends traditional forms with _____ elements.

 

 

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