THA 101 CBT PRACTICE : Undergragra

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Take your time to read instructions before taking this test.

There are 40 questions which you are to answer in 15 minutes that gives you roughly 30 seconds per question.

If you can get at least 60%, you can be rest assured that you’ll ace THA 101 exam

In a normal exam you will be asked between 40 – 60 questions but I only arranged 40 questions

Note

Do not be in a hurry to answer the questions
Do not waste time on a question you don’t know
Move as fast as possible and starting with questions that don’t have calculation first to save time
Always crosscheck
Don’t be in a hurry to submit, you are not in a competition
Don’t be scared. Getting an A is easy
Don’t be over confident, you can end up a D, E or F. Calm your blood, no be only you sabi book

Please do well to use our comment box incase there’s a message you want to pass to us

70 – 100 A

60 – 69 B

50 – 59 C

45 – 49 D

40 – 44 E

0 – 39 F

I wish you success

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THA 101

1 / 40

1. Which scholar viewed African drama as "meaningless" compared to European drama?

A. Iyorwuese Hagher

B. Ossie Enekwe

C. Ruth Finnegan

D. Richard Wallaschek

2 / 40

2. What is a significant challenge for preserving traditional African drama?

A. Excessive funding

B. Over-documentation

C. Cultural erosion due to Western influence

D. Limited technological access

3 / 40

3. Which school of thought argues that African drama lacks linguistic content and plot?

A. Evolutionist school

B. Cultural school

C. Structuralist school

D. Relativist school

4 / 40

4. Which characteristic differentiates African drama from Western drama, according to the document?

A. Purely psychological focus

B. Absence of ritual elements

C. Integration of multiple art forms

D. Lack of dialogue

5 / 40

5. According to the document, which European literary concept influenced African drama's rejection by some?

A. Aristotelian theory

B. Homeric epics

C. Shakespearean canon

D. Sophoclean theory

6 / 40

6. What form of literature is closely linked to African drama, as noted in the document?

A. Written poetry

B. Novels

C. Prose

D. Oral literature

7 / 40

7. According to what you were taught, African drama is a product of:

A. Religious and cultural rituals

B. Historical narratives only

C. Philosophical debates

D. Western colonization

8 / 40

8. According to Julius Adeoye, what constitutes drama or theatre?

A. Ritualistic performances only

B. Universal elements

C. Technological advancements

D. Cultural references

9 / 40

9. How do traditional festivals influence African drama?

A. They focus exclusively on music.

B. They serve as a foundation for dramatic performances.

C. They exclude communal participation.

D. They replace storytelling.

10 / 40

10. What is the core belief of the relativist school regarding African drama?

A. Drama in Africa is reciprocal with rituals and culture-based.

B. African drama is nonexistent without European influence.

C. African drama is purely mythological.

D. African drama must conform to Western standards.

11 / 40

11. How does modern African theatre incorporate traditional elements?

A. By experimenting with Western techniques

B. Through indigenous languages and storytelling

C. By rejecting communal values

D. By eliminating dance and music

12 / 40

12. How does Eurocentrism view African dramatic performances?

A. As a fusion of myth and history

B. As superior to European drama

C. As highly developed art forms

D. As quasi-dramatic or mere rituals

13 / 40

13. What is a major challenge facing traditional African drama today?

A. Over-documentation

B. Cultural erosion

C. Lack of festivals

D. Excessive funding

14 / 40

14. Which Afrocentric scholar emphasized the cultural roots of African drama?

A. Echeruo

B. Richard Wallaschek

C. Osuagwu

D. Ruth Finnegan

15 / 40

15. Which cultural practice is central to African drama according to the document?

A. Communal values

B. Monologues

C. Individualism

D. Solo performances

16 / 40

16. Which aspect of traditional African drama is often incorporated into modern African theatre?

A. Strict adherence to Aristotelian rules

B. Symbolism and communal values

C. Exclusive use of Western languages

D. Solo performances only

17 / 40

17. Which festival is a typical example of traditional African drama in Nigeria?

A. Egungun festival

B. Dogon mask performances

C. Ghanaian folk opera

D. Zulu Reed Dance

18 / 40

18. Which scholar argued that African ritual displays mimic action and qualify as drama?

A. Enekwe Ossie

B. Michael Echeruo

C. Ola Rotimi

D. Ruth Finnegan

19 / 40

19. Copy - According to what you were taught, African drama is a product of:

A. Western colonization

B. Religious and cultural rituals

C. Historical narratives only

D. Philosophical debates

20 / 40

20. What is the main argument of Eurocentric scholars regarding African drama?

A. It is superior to Western drama.

B. It is ritual, not drama.

C. It originated before Greek drama.

D. It has complex plots.

21 / 40

21. What element is often employed in African festival theatre to convey complex ideas?

A. Symbolism and metaphor

B. Solo performances

C. Detailed scenery

D. Literal dialogue

22 / 40

22. Which type of African drama often includes masked dancers and storytellers?

A. Storytelling sessions

B. Masquerade performances

C. Ritual performances

D. Folk opera

23 / 40

23. What is the Afrocentric perspective on the origins of African drama?

A. African drama is irrelevant in modern times.

B. Drama in Africa was introduced by colonialists.

C. Drama in Africa predates Western civilization.

D. African drama only emerged in the 20th century.

24 / 40

24. What is the distinguishing feature of African drama according to Ossie Enekwe?

A. Intellectual and metaphysical

B. Solely ritualistic

C. Highly psychological

D. Integrative and participative

25 / 40

25. What distinguishes African drama according to Enekwe?

A. High intellectualism

B. Fixed dialogue and structure

C. Stylized, ritualistic, and total performances

D. Lack of audience engagement

26 / 40

26. What role does community participation play in traditional African drama?

A. It emphasizes individual roles.

B. It limits audience engagement.

C. It replaces storytelling.

D. It turns viewers into active participants.

27 / 40

27. What does folk opera combine in African drama?

A. Historical reenactments and singing

B. Mask performances and poetry

C. Music, dance, and storytelling

D. Rituals and myths

28 / 40

28. Which scholar dismissed African drama as "quasi-dramatic"?

A. Echeruo

B. Finnegan

C. Ododo Sunday

D. Wallaschek

29 / 40

29. Which type of traditional African performance involves reenactments of harvest festivals?

A. Folk opera

B. Storytelling sessions

C. Ritual performances

D. Masquerade performances

30 / 40

30. What was the primary influence on the development of Nigerian drama?

A. Greek theater

B. Western traditions

C. Religious and magical ceremonies

D. Modern technology

31 / 40

31. Who is a prominent supporter of the Afrocentric view of African drama?

A. Ruth Finnegan

B. Richard Wallaschek

C. Iyorwuese Hagher

D. Michael Echeruo

32 / 40

32. What is the main function of ritual performances in traditional African drama?

A. Religious indoctrination

B. Dramatic reenactments of myths and legends

C. Historical documentation

D. Entertainment only

33 / 40

33. What is the central concept in Aristotelian drama?

A. Music

B. Myth

C. Rituals

D. Plot

34 / 40

34. Which African festival performance involves masked dancers honoring ancestors?

A. Ghanaian folk opera

B. Dogon mask performances

C. Egungun festival

D. Zulu Reed Dance

35 / 40

35. Which festival celebrates the harvest season in South Africa?

A. Zulu Reed Dance

B. Dogon mask performances

C. Ghanaian folk opera

D. Egungun festival

36 / 40

36. Which African dramatic element is highlighted in Egungun performances?

A. Mimicry

B. Solo acting

C. Dance only

D. Masquerades

37 / 40

37. The Zulu Reed Dance is an example of which type of African performance?

A. Storytelling session

B. Masquerade performance

C. Festival performance

D. Ritual performance

38 / 40

38. Which form of traditional African drama involves storytelling and myths?

A. Folk opera

B. Masquerade performances

C. Storytelling sessions

D. Ritual performances

39 / 40

39. The relativist school claims that drama in Africa:

A. Is purely ritualistic

B. Is inseparable from rituals

C. Is devoid of cultural significance

D. Follows Aristotelian principles

40 / 40

40. What are the elements of traditional African drama mentioned in the document?

A. Dialogue, dance, and monologues

B. Acting, solo recitals, and rituals

C. Music, dance, and storytelling

D. Writing, painting, and drama

Your score is

The average score is 53%

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